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===TIER: Songs I willingly listened to again after the mandatory second pass
(12) ICELAND -- Wilderun {Far From Where Dreams Unfurl} -- These lyrics own. The music is decent-to-very-good. The problem is that the song is ~aspirational~ and wants to be like three different things at once, heavily skewing the awesome-lyrics-to-things-that-aren't-the-awesome-lyrics ratio. This could have totally cleared 8/9 if someone forced the band into an editing room and made them cut three minutes. 6.4/9
...also, yeah. Submitting this over
The Garden of Fire was the correct choice. It's partly that I don't understand the appeal of harsh vocals - not as in dislike, but actual lack of understanding - and partly that their normal vocals are :quality: . I got totally blindsided by the power move that was the last 40 seconds though.
===TIER: Songs that didn't disappoint me that much
(10) SAN MARINO -- The Audition {It's Gonna Be Hard (When I'm Gone)} -- It's generically decent. Choosing between this and Red Bull & Hennessy was a matter of taste/whimsy on my part. 5.75/9
(8) PORTUGAL -- Jenny Lewis {Red Bull & Hennessy} -- This is pretty listenable. The vocals aren't in my style and there are some odd mixing choices - also those last few seconds happened - but the vocalist has serious pipes. 5.7/9
(7) POLAND -- Les Friction {Your World Will Fail} -- This is an entry that stakes its existence on being intense, yet... I want it to be a lot more so. It has such a cool title, and yet I don't feel like it was realized. It still sounds nice though. 5.25/9
===TIER: Songs remaining that I affirmatively want to give points to
(6) COSTA RICA -- Jamiroquai {Just Another Story} -- I am legit angry about how the entry would be way better if the first two and a half minutes were cut entirely. And probably the last bit of it too. It starts off sounding like a middling sample project on a music sequencer, and then it cuts to some raw funk I can get into. 4.75/9
(5) CENTRAL AFRICAN REPUBLIC -- Suede {We Are the Pigs} -- This style of wAvErInG vocal doesn't work for me. Other than that, it's generic radio material. Barely landing above Blood Eagle because I don't have to try as hard to listen to it. 4.5/9
(4) DJIBOUTI -- Periphery {Blood Eagle} -- So it's not actually easy to throw your whole body forward and keep playing your instrument... I'm actually very much the kind of person who would appreciate an entry that sounds like someone getting their tongue stuck in an industrial fax machine - admittedly ironically - but it's kind of one-note. 4.4/9
===TIER: Somebody's going to be disappointed because I had a hard time ordering these sensibly
(3) ECUADOR -- BROTHERS OF METAL {Yggdrasil} -- This is... surprisingly ordinary. I appreciate the effort to thicken the vocals with the man growling behind the woman, but it only succeeded in giving the entry an edge like a plastic knife and made it much harder to listen to. The woman needs a fancier face tattoo. 3.9/9
(2) ROJAVA -- Aeternam {Nightfall on Numidia} -- I feel like this entry never really committed to any of the ideas it wanted to have, so it became rather middling in every way. 3.85/9 (possibly underrated)
(1) UNITED KINGDOM -- Akira Takemoto {MJ-xx} -- Background music is very background music. I've wondered if submitting something from Umineko would do well at all, and I decided against because I didn't think it would. I think this may have validated my opinion. 3.8/9
NETHERLANDS -- Namco Music Saloon {Word Games for Two} -- I SAY LOUIE LOUAY... er... FLINTSTONES! MEET THE FL... hm... PETTAN~PETTAN~TSURUmaybe not? Between its vapidity and its "tastefully off-key" lyrics to its intentional garishness, this is definitely something Young Emo Vi would have slammed the door on, but I actually appreciate how the sheer pep in this song feels. This song spends a lot of energy trying to make the listener happy and I'm kind of a fan. I honestly think I may have stuffed up by putting it in a position where I'm not giving it any points :/ 3.7/9 (possibly underrated)
URUGUAY -- Big Thief {Haley} - what the heck is rhythm - what is what - This song doesn't really work for me for a bunch of reasons. It seems much like college-hipster music. On the other hand, it does kind of remind me of college... This would probably be rated more highly by people who are affected by nostalgia. 3.25/9 (possibly underrated)
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GREENLAND -- Desaparecidos {Man and Wife, The Former (Financial Planning)} -- 2.4/9
YEMEN -- Hella {Biblical Violence} -- 1.7/9
USA -- 3776 {歳時記} -- 0.9/9 (possibly overrated)
Japan -- あさき {雫} -- I'm not sold on how well this master came out, and I'm not really charmed by the off-key note in the second verse, but heck if this isn't going to be the most "different but actually in a good way" song in this contest. If you were wondering, the lyrics are oblique in Japanese and virtually untranslatable. There are vids that try to provide a translation, and I intentionally didn't link them. This is also probably Asaki's most approachable song; his other work starts at J-Emo and dives into extravagantly creepy.
So like twelve years ago someone I was on a forum with was really into PoMu, and sent me stepcharts for this. (yes, yes) I liked the song so much I started looking into other Bemani stuff, and now I know way more about an obscure rhythm game I've never played than most people you'll meet. Quite an influence you never thought you'd have on someone, eh, Loomy?
I've listened to this quite a bit and I'm familiar with its issues, and yet I still don't think I can rate it lower than 7.5/9. I am completely okay with being the only person who thinks that way if the results suggest that.